Australian Adventures in Analogue

35mm photograph of a beach on an overcast day in port Phillip, Australia.

As some of you may know, Lauren and I went to Australia at Christmas to spend my first ever warm Christmas with the Australian fam. What you may not know though, is that I was very kindly gifted a mint condition, 37 year old analogue 35mm film camera by Lauren’s mum when we arrived. In quite a cool full circle moment, the camera was originally bought by Lauren’s dad before she was born to take pictures of her as a baby and at some point got resigned to the store room. Fast forward 37 years and it’s been given to me, who will use it almost exclusively to take photos of Lauren. As I say… full circle.

Now as a disclaimer, I have never used an analogue SLR camera. I had to look up how to load film, how to expose photos, heck even how to focus. For this reason if you’re expecting arty, well taken photos, you may be in the wrong place. This is the first two rolls of film I took with this camera and I was totally getting to grips with it while documenting the trip, so they are very much holiday snaps. However, I thought people may want to see what we got up to in all it’s grainy analogue glory, so here we go:

Now make no mistake; anyone that has ever talked to me about photos, cameras or photography will know that this is pretty much a 180 degree turnaround. In fact since getting this camera I’ve even had friends screenshot old messages from me saying that analogue cameras were obsolete, unnecessary and anything you could do with an analogue camera could be replicated with a digital one. All I can say is… I was wrong. I absolutely love how these have come out, and could not have done it on my digital.

I still don’t think I would have ever been interested if one hadn’t fallen into my lap like this (which is a really great twist of fate) and there’s still a lot of things I don’t like about this camera. My biggest gripe is that you need to bring it up to your eye to see what you’re shooting, read the light meter and focus. This takes away any opportunity to shoot from the hip, which I’d say about 70% of my photos of people are. It sounds creepy (maybe it is?) but I think portrait shots are so much better when the subject has no idea there’s being a photo taken, as they’re actually just acting how they would and there’s a lot more scope for natural, beautiful moments between friends and family to be captured. However, I’ve found with this that the second you bring a camera up to your face people start posing and doing that weird forced smile that we all seem to do whenever we know we’re having our photo taken, which I do feel takes a lot of the actual spontaneity out of the photos. Also very unsurprisingly given it’s nearly 40 years old this camera is disastrous in low light (again, where I take a lot of my photos) but I’m hoping with some different film and lens choices down the line I can slightly sort this issue out.

But these don’t detract too much from the upsides. Namely, knowing you only have 36 photos so really making each one count as opposed to taking 1000 shots a day and never doing anything with about 95% of them. Plus of course the true sense of excitement you feel when you’re waiting to get the photos back which is something I don’t think I’ve ever even come close to in the digital realm. And of course… that grain! The thing that numerous instagram filters and Lightroom presets are trying to imitate but can never really compare to is just right there on every shot.

Double Exposure 35mm photograph of a fishtank in a Chinese restaurant super imposed with a smiling dark haired woman wearing sunglasses.

My absolute favourite part of this whole process was learning about double exposures. I’d kind of heard of these through weird photoshop tutorials in the past but didn’t really know what they were or why I’d want to do them. However at the end of the YouTube tutorial I watched to learn how to use the camera (because obviously that’s how everyone learns how to do everything nowadays) the guy mentioned this fairly advanced technique called double exposures which, even though I didn’t even know how to take a single photo on the thing yet, I knew I’d be trying out before long. For those who don’t know, they are basically two photos in one photo. You take a shot of something, then without winding on the film take another photo and they will be kind of blended together to create what can be a really cool effect. In the one above I took a shot of a fish tank that also doubled as a window in a pub that also doubled as a Chinese takeaway (I know, bizarre) and then took a photo of Lauren to come up with this shot. There’s a few more examples in the shots below, although I think this is probably my favourite. For anyone that wants to try these, they are tricky concept because you’re exposing the film twice which means it needs half the amount of light on each photo to be correctly exposed; so maybe if you want to try it… y’know, YouTube it first.

So there you have it, my first forays into analogue. As I’ve said above, I really enjoyed taking these (and most importantly not having to edit them!) so I hope you’ve enjoyed them too. I’m planning on doing a lot more of this if the cost of the film doesn’t financially cripple me, so assuming I don’t need to sell my laptop to afford it I’ll keep posting the best of these, so keep an eye out. The future is analogue!

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The Falklands

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Jack and Lisa’s Wedding